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Upcoming Events
James Buckland, Classical Guitar
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James Buckland
 

Dr. James (Jim) Buckland

Guitar, Guitar Class, Guitar Ensemble
Belk Auditorium, room 201
Office Phone: 833-8473
E-mail:
jbucklan@presby.edu

James Buckland is Professor of Guitar at Presbyterian College and Converse College in South Carolina. He received his training at the University of Toronto under Eli Kassner, the University of Akron under Steve Aron, and the University of South Carolina under Christopher Berg and Michael Cedric Smith. Jim was the first guitarist to graduate with the Doctor of Musical Arts degree in guitar performance, where his doctoral research on the nineteenth-century terz guitar earned him the Dean's Award for Distinguished Graduate Endeavors. Since graduating in 1998, Jim has specialized in the field of nineteenth-century performance practice.

Dr. Buckland recently premiered his reconstruction of Mauro Giuliani's second concerto Op.36, a lost version featuring the terz guitar and string orchestra, with Sinfonia de Camera conducted by Ian Hobson. The performance was featured in a broadcast on Illinois Public Radio. Jim has since performed the work numerous times with various orchestras.

On a recent trip to Italy, Jim conducted post-doctoral research on nineteenth-century performance practice in cooperation with Paolo Pugliese, Claudio Maccari and the Accademia Internazionale della Musica in Milan. In addition, Jim is co-founder of Ludlamshohle, a chamber ensemble dedicated to nineteenth-century music.

Dr. Buckland is not only a performer and educator, but also a luthier. He builds in the nineteenth-century style, using original tools and techniques, following the work of

Guadagnini, Fabricatore, and Stauffer.

In demand as a conference lecturer, Jim has presented at several prestigious events including the Guitar Foundation of America Convention in 1999 (History, Literature & Performance Practice of the Terz Guitar) and 2005 (Re-Construction of a Lost Concerto by Mauro Giuliani), and the 2003 Symposium on the Guitar and Improvisation (Nineteenth-Century Improvisation: Practice & the Guitar) at the University of Guelph in Ontario, Canada.

A recent CD, "Sonatas and Fantasies for Guitar" has won critical acclaim ...."a rare and exceptional recording....very operatic influence with blistering arpeggios and cadenzas. Top notch. Highly recommended." EarlyRomanticGuitar.  
 

Dr. Karen Buckland

Piano, Piano Pedagogy, Piano Literature, Music History, Piano Ensemble
Belk Auditorium, room 103
Office Phone: 833-8467
E-mail:
kbuck@presby.edu

KAREN WISSER BUCKLAND is Associate Professor of Music and the Director of Keyboard Studies at Presbyterian College. She received a Bachelor of Music degree in Piano Performance from Mansfield University, and earned a Master of Music degree and a Doctor of Musical Arts degree in Piano Pedagogy from the University of South Carolina. Her teachers include William Goode, Raymond Dudley, John Kenneth Adams, and Max Camp.

Dr. Buckland has been recognized as an educator in the 2004-2005 Who’s Who Among America’s Teachers, in the 2006 Who’s Who in America, in the 2007 Who’s Who in American Women, and in the upcoming 2008 Who’s Who in America. She is a member of the Music Teachers National Association, the South Carolina Music Teachers Association, the Music Educators National Conference, and the South Carolina Music Educators Association.

Dr. Buckland is active as a performer, an adjudicator, and a guest lecturer throughout the Southeast. She is co-founder of Ludlamshohle, a chamber ensemble dedicated to nineteenth-century music. Dr. Buckland is also the organist at First Presbyterian Church in Clinton, SC. 
The Music and Arts Task Force

Divider of ideas 

As a result of the 2003 Discernment Day, a TUCO Arts Task Force was created.  This group discussed suggestions from the Discernment day, and other ideas that have come to our attention to enhance and revitalize our worship, community building and Christian education programs.
This Task Force has evolved into a group that meets to discuss how to incorporate Arts and Music into our services. We generally meet on Sunday Mornings, following the 11 Am service. This Task  Force represents various ministries of our church, including worship and CE, plus involves our Music Director and assistant organist.
Early in our process, at a recent council retreat, Mike Segawa made a report to our council. Here is that summary for your reading. Word     .pdf
If you have an interest in music, drama or the arts, or would like to be a part of this Task Force, please contact Pat Sonnenstuhl for more information cnmpat@comcast.net
If you are interested in participating in our music program, please contact Dee Morton. The Music and Arts Survey also provides us with more information about your talents and interest.
Divider of ideas 
 
We have a comprehensive database of musicians, artists, singers,  those who play instruments, and those interested in drama. If you would like to be on our list, please fill out Music and Arts Survey and leave in the church office or email to: webmaster@theunitedchurches.org If you have suggestions for things you would like to see us doing at TUCO, please let me know, or talk with our pastors.
 
Philosophy of The Arts at TUCO
Humans have made pictures on the interior of caves and on rocks for thousands of years.  The early Christians carved pictures of fish, peacocks, and other symbols of resurrection in the catacombs. Art and music cause us to contemplate, to identify ourselves and our culture, and to find meaning to our existence.  Art reaches us both emotionally and intellectually.  Emotions are embodied more in color, rhythm, movement and musical form; while our intellectual awareness is enhanced by ideas (spoken work) and images (visual art).
The Arts enrich our worship experience, our spirituality, and our awareness of Gods' presence, within the life or our church. All artists should be encouraged to present their art respectfully to the church community, whether it be music, drama or visual art. This recognizes the fine balance between sharing knowledge, talents and inspiration, while respecting the needs and diversity of the worshiping community. January 2004
Take Time to Develop a Vision
NOVEMBER 26
As above, so below. First it happens in spirit. Then it manifests in the physical. Not the other way around.
First we see a vision. Our soul tells us through the words and eyes of our heart. Then the steps become clear and we see the order in which they should be taken. Then it is finished. By the time the vision has arrived, it is already, as some say, a done deal.
You waste so much time and effort when you try to accomplish something before you have envisioned it. Learn to let the vision come first. Take time to shape it in spirit before you try to shape it in, physical form. If you can't see something clearly, the vision may not be complete. Take the time you need to think about it, to let it come into focus, to let the vision take shape in your mind.
Operating from vision, will guide us onto our highest path. It will also make our life and work much easier.
Take time to develop a vision for all you want to do. Let your vision guide you. When it manifests itself first inspirit, the physical form will follow.
Journey to the Heart by Melody Beatie